VisitationIn Visitation, Jennifer DeClue shows how Black feminist avant garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakersincluding Kara Walker, Kara Lynch, Tourmaline, and JaTovia Garycreate spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation,