Print and the Poetics of Modern DramaThe question of the materiality of the book has surprising consequences when applied to dramatic writing. W. B. Worthen asks how the print form of drama bears on how we understand its dual identity as play texts and in performance. Beginning with the most salient modern critique of printed drama, arising in the field of Shakespeare editing, Worthen then looks at the ways such playwrights and performance artists as Bernard Shaw, Gertrude Stein, Harold